A CRY FOR DEMOCRACY: THE DARK REALITY OF ETHNIC BELLIGERENCE AND HYSTERIC VIOLENCE IN NIGERIA

Abstract

Julie Okoh’s play A Cry for Democracy is a poignant examination of Nigeria’s tumultuous history of ethnic conflict and violence. Set against the country’s colonial legacy and its post-colonial struggles, the play articulates a narrative that exposes the destructive impact of oppressive political systems on the Nigerian populace. Through a tripartite structure, Okoh illuminates the complexities of pre-colonial, colonial, and post-colonial Nigeria, drawing upon Frantz Fanon’s theories of oppression to analyze the internalized violence and self-loathing perpetuated by colonial rule. This research explores the concept of democratic womanism articulated by Alice Walker and how it frames the struggle for social justice in a nation reeling from years of exploitation. By connecting the rich cultural heritage of Nigeria with the brutal realities imposed by both colonizers and contemporary leaders, the play calls for a radical rethinking of leadership and community solidarity. Looking ahead, the study advocates for further exploration of womanism as a transformative movement that can empower Nigerian women and forge a path toward genuine democracy. It underscores the need for continued dialogue on the intersections of gender, politics, and post-colonial identity. It suggests that a collective awakening among women may be key to reshaping Nigeria's future.